Seth price essay ispersion
From: Paul G.
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The Dispersion essay by Seth Price continues to bring discussion to focus on how artwork is processed and sent out to the masses, and how that effects the meaning and success of the images, as was the themes of last weeks rhizome and surfer clubs readings. This makes me question whether or not a piece of art can ever be successful without the acknowledgement of a qualified artist. The Internet provides an unlimited archive, with more and more media being created everyday, and every piece of art never being finished completely. The arguments are familiar. Price discusses presentation, the necessity of a sphere of reception and discussion, the odd relationship between intention and the end result of presentation, and the role of art in culture. He discusses art which aims to document life in some sense; an intention that potentially brings a work into the uneasy territory of its future consumption one of historical archives and issues of authenticity. Price then moves towards art that is created without authenticity in mind, art that is made to be dispersed, or made of other dispersions.
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Seth Price's open-ended work that started in He celebrates conceptual art; the way it claims a new field for how to practice art, repositioning its meaning. In relation to the Internet, he takes the example of Linux, a collaborative artwork, allowing its audience to interfere and rewriting the program as it developed.
Free , , HTML. Styles and movements — Collections — Historians and critics — Preservation and conservation — Reference works. Curated by Jamie Sterns. Video report. Curated by Timur Si-Qin.
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